Toot toot!

One of the women in my writing group (hi Nina!) is participating in a thing called a blog train, and via a combination of charm and guilt, she has had persuaded me to write-up a little something.

What am I working on?

The working title is Kowloon Spring. It’s a near future thriller set in Hong Kong and southeastern China. I’m a few chapters into it and there’s already a major art theft, a plot to assassinate the chairman of the communist party, a separate conspiracy to overthrow the government of Hong Kong, and some major computer crimes involving the Chinese surveillance state. Thieves, spies, hackers. There’s a lot to love.

How does my work/writing differ from others in its genre?

I’m trying to squarely straddle a line between near future science fiction and spy thriller. When I come to a snag in the plot, I ask myself what Michael Crichton and Barry Eisler’s love child would do. The answer is seldom to kill people, but that’s only because there are far worse things that can happen to a character than death. I’m trying to add more big ideas than the normal spy thriller and more pacing than the normal science fiction. If I can shoehorn a Tyrannosaurus into this thing, I’ll feel like I’ve really nailed it. (That’s a joke. Kind of.)

Why do I write what I do?

I write what I want to read. Smart characters doing the wrong things for the right reasons. And it has to be exciting. I cannot abide being bored while reading, and if–as the writer–I’m boring the reader, I’m failing us both.

I recently spent five weeks in China, and that has been a major influence. I envision Kowloon Spring to be the beginning of a trilogy that explores the confluence of the surveillance state, urban migration, and an informed citizenry. People will put up with a tremendous amount of grief just out of habit. Eventually, though, someone will stand up and cry foul, and if enough people stand with them, change can occur very swiftly. The governments of North Africa can attest to that.

How does my writing process work?

It changes from book to book. I have an outline for this one that’s around five thousand words. In addition, I have character sheets for the main characters and a few more pages of notes and ideas for the major plot arcs of the sequels. Most days I set a goal of a thousand words, and I try to write extra over the weekends and on holidays. I can finish a first draft in about two months, but that’s after a month (or four) of planning and still requires another month of editing.

My novels tend to come in thinner than I’d like, so the first pass of revision is always to add additional scenes and make sure the story and the characters have proper arcs. This is done as soon as the first draft is finished, usually amidst plenty of pacing around the house and rambling aloud as I work through the story. At this point I’m ready for beta readers. I’ll do another revision based on their feedback. I may also do another pass after that to clean up the line level stuff. At that point it’s read for a copy editor and/or a proofreader.

So that’s it for the blog train. I’ll be back next quarter with my regularly unscheduled ramblings about food or indie video games or foreign countries or whatever I’ve been reading lately. Toot toot!

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